In case anyone missed it back in November, you can read about the extraordinary poet Ruth Stone in the New York Times. I call her extraordinary not only because of her talent, but also because of her steadfast refusal during her lifetime to quit doing what she loved most: writing poetry.
She finally achieved literary success at the age 87 when she received a National Book Award in 2002. She’d been a poet for over 50 years by then and despite all she had been through had kept writing.
I couldn’t help thinking as I read about her life–what if she had given up on poetry in her fifties and sixties when things were rough? What if she hadn’t kept going? It was in her seventies that she began to break through.
In other links, Digital Book World has two great articles: one on Barnes & Noble’s strengths, and one on Barnes & Noble’s weaknesses. The article on the weaknesses includes a look at Amazon’s KDP program to contrast it to Barnes & Noble’s Pubit that is well worth the time to read.
Posted in Business of writing, Craft of writing, Learning the craft of writing, Markets, Portrayals of Writers, Publishers
Tagged Amazon, Barnes & Noble, Digital Book World, e-publishing, KDP, Markets, Portrayals of Writers, Psychology of writing, Pubit, Ruth Stone, self-publishing
A writer friend of mine, R. G. Hart, did a blog post about his favorite memory of Halloween and listed his favorite movies and stories. Then at the end of the post he put together a collage of ebook covers in different sizes. Many of the writers in the collage are both traditionally and indie published, some have won awards, some have hit the bestseller lists on the Kindle or Barnes & Noble, and all of them are having a wonderful time experimenting with indie projects. I’m in the collage as well, but it’s the sight of so many talented writers getting to experiment that makes me smile.
Oddball and niche projects that are unappealing to traditional publishers don’t have to sit in a drawer anymore. And yet that oddball project can be the perfect opportunity to take risks and grow as a writer. Kristine Kathryn Rusch talks about the importance of this in her latest blog post today, Believe in Yourself.
In case anyone missed it, here’s Barbara Freethy’s announcement about hitting the 1 million mark in self-published ebooks sold in 2011. Here’s a brief quote from the PR release:
Unlike independently published authors who publish at the $0.99 price point to fuel sales, Freethy’s books are primarily priced between $2.99 and $5.99. Her self-published books come from her extensive backlist, whose rights were reverted after the books went out of print. Freethy repackaged the books and put them on sale again, finding gold in books that had been taking up space in her closet”
The full PR announcement is at:
I notice she’s selling not only through Kindle, but also made sure to have her ebooks on the Nook, Kobo, Sony, and Smashwords. Also has a deal with Overdrive.
Just for fun, let’s calculate what that is in cold hard cash. If we take a 70% cut of $2.99 for a self-published ebook, that’s about $2.09 per book. Sell 1 million ebooks at $2.99, and that’s $2,090,000.
Nice! This is fascinating times we live in.
Thanks to Passive Guy and David Gaughran for getting the word out.
I’ve been swamped with writing and editing work, so that’s why I’ve been so quiet here on the blog for a bit. But there’s some links I want to share before I forget.
Everyone has probably heard all about Kickstarter (the funding platform for creative projects), but if you haven’t, go and check them out! Kickstarter is proving to be a great way for professional artists to get the start-up funds they need and for people to support favorite artists and web shows. For example:
A writer friend of mine, Annie Bellet, was able to successfully use Kickstarter to help fund her tuition to Clarion this past summer.
The web show Put This On just successfully raised over $70,000 to film Season Two.
Travis Hanson, a fantasy/comics illustrator I got to meet briefly at Albuquerque Comic Con, has successfully raised the funds he needs to print his web comic in book format.
Money has always been an issue for artists, especially filmmakers and illustrators, so the rise of crowd-sourcing such as Kickstarter excites me to no end.
In other news, Dean Wesley Smith has an important technology blog post on how writers, publishers, and booksellers can use Book Cards to market an e-book cheaply and attract readers into independent bookstores to buy e-books for their e-readers. WMG Publishing and Lucky Bat Books were passing out the first ever e-book cards at Worldcon to show off this brand new marketing idea.
And 20+ year pro Bob Mayer has some blunt, quick advice on how to be a fiction writer that has a career that lasts for decades.
Posted in Business of writing, Craft of writing, Markets, Psychology of writing, Publishers
Tagged Craft of writing, Getting Ideas, Kickstarter, Money, Psychology of writing, Publishers, Put This On, self-publishing, Travis Hanson
Kristine Kathryn Rusch has gone and written a blog post for all writers who are suffering through rough times right now due to the upheavals in publishing, “You Are Not Alone.” If you know a writer friend who is thinking of quitting writing or suffering from severe depression due to publishing industry changes, this essay is a must.
I also found out about a website that has various posts by pro writers (such as David Morrell) about the publishing industry. It’s called Backspace – The Writer’s Place.
Another great resource is the NINC blog. Members of NINC have to be multi-published in order to join, so I find the information and blogs professional in tone and attitude.
Also, there’s Bob Mayer’s blog. He has 20 years of experience as a fiction writer in traditional publishing, and 2 years of experience doing indie publishing, so I find his posts have a lot of depth to them.
Posted in Agents, Business of writing, Editors, Markets, Publishers
Tagged Agents, Business of writing, e-publishing, Editors, Markets, Money, Productivity, Psychology of writing, Publishers, self-publishing