I have no problem with someone saying, “I just wanna write.” Creating art for art’s sake is a wonderful thing to do.
What drives me nuts is when someone says “I just wanna write fiction AND get published.” That’s just crazy. Because publishing is a business, and if someone wants to play the publishing business game, they’d better learn the rules of the business. Otherwise, just slap a “I’LL BE IN TROUBLE” label on their back and be done with it. Because one of the following WILL happen (let’s alternate between genders):
1) The writer will fall prey financially to a scam agent, a scam editor, scam contests, or scam publisher because she couldn’t be bothered to learn the business. Hundreds, maybe even thousands, of dollars will disappear into the black hole of scams.
2) The writer will be gouged in pricing by a subsidy or vanity press because he couldn’t be bothered to research actual publishing costs and methods. Hundreds, maybe even thousands, of dollars will be lost.
3) The writer will run into legal problems because she couldn’t be bothered to learn about publishing contracts so she could understand what she was signing. If she’s really unlucky, she could find herself stuck in court for years.
3) The writer will be taken by surprise when his publisher goes out of business, sticking his books with that publisher in bankruptcy limbo. He couldn’t be bothered to keep track of the financial health of his publisher.
4) The writer will be in financial trouble when she discovers her agent or publisher has been cooking the books. She couldn’t be bothered to learn how to read a royalty statement, add important clauses to her publishing contracts to protect her interests, or how to track her own money.
5) The writer will run into serious career trouble when his agent dies, gets sick, dumps him, or leaves agenting as a career. He couldn’t be bothered to learn the business of how to sell manuscripts to editors.
6) The writer will be surprised when her publisher drops her, because she couldn’t be bothered to pay attention to the print run numbers.
7) The writer will run into cash flow problems, because he couldn’t be bothered to pay attention to the out-of-print, e-book royalty rates, subsidiary rights, and reversion rights clauses in his contracts.
One thing I’ve noticed again and again at conferences is that the fiction writers I’ve met who’ve survived in the publishing business for 15+ years pay attention to the business side of publishing. A writer can get away with ignoring the business side (if she or he is lucky) for maybe 7-12 years. But statistically speaking, sooner or later a rough patch will happen, and the writers who survive to publish again are those who pay attention to the business side.